A User's Guide to Copyright by Michael F. Flint (Auth.)

By Michael F. Flint (Auth.)

The hot and completely revised variation of this key booklet is designed to aid either practitioners and non-legal execs comprehend copyright and layout legislations within the united kingdom, and the way it impacts you. break up into easy-to-use sections, with half one containing an in depth breakdown of all appropriate united kingdom laws, and half making use of this laws to the most industries within which copyright fabric is usually exploited. up-to-date to mirror the emergence of brand-new technique of electronic exploitation, together with peer-to-peer distribution, A User's consultant to Copyright in actual fact illustrates the scope and relevance of copyright legislations within the new info know-how period

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Copyright exists not only in the series and order of certain selected words, but also in the organisation of the ideas and the manner of their presentation. In the case of a novel or play, the plot is presented by means of a series of dramatic incidents. The organisation and selection of these incidents to create the plot require skill and labour. To determine whether the use of the plot in another work is an infringement will require an examination of the way — the form — in which the alleged infringer has presented his plot to determine whether he merely borrowed the concept of the plot and used his own skill and labour in expressing its form.

A confidential relationship can be created by the terms of a contract. For example, a company may be required not to disclose the contents of drawings which it needs to manufacture goods under licence, nor the lists of contacts supplied by a manufacturer to a distributor. However, we are concerned here with confidential relationships which are created by virtue of the respective positions of the parties to each other. A common example is to be found when negotiations are taking place intended to lead to a contract, and it is necessary to disclose some trade secret or unpatented invention to enable the parties to consider the proposed contractual terms.

For example, if two publishing houses are given licences to publish a work (neither, therefore, having an exclusive licence) any action against a third party publisher who publishes an infringing work must be brought by the original owner — not by one of the two licensed publishers. 17 Technical provisions concerning plaintiffs and defendants in civil actions omitted Sections 17, 18, 19 and 20 of the Copyright Act contain provisions regarding the rights of plaintiffs and defendants in relation to civil actions, some of which have been mentioned above, which are generally of a technical nature and of importance mainly to the lawyers in whose hands an action for infringement has been entrusted.

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